Thursday, June 12, 2008

The way things are- exhibition


The Way Things Are…
Works from the Thyssen-Bornemisza Art Contemporary Collection

Julian Rosefeldt, Allan Sekula, Los Carpinteros, Anetta Mona Chisa &
Lucia Tkácová and Andreas Siekmann

To celebrate its institutional opening as Poland’s first newly erected venue dedicated to contemporary art since 1939, Torun Centre of Contemporary Art invited Thyssen-Bornemisza Art Contemporary to present works from the foundation’s collection as part of the inauguration exhibition.

The selection of artworks drawn from the Thyssen-Bornemisza Art Contemporary Foundation (T-B A21) explores the question of artistic representation of today’s ever more precarious work spheres within advanced economies. The dramatic but also multi-voiced “work histories”, as narrated or presented by Julian Rosefeldt, Allan Sekula, Los Carpinteros, Anetta Mona Chisa & Lucia Tkácová and Andreas Siekmann result from radical shifts in production and work processes, such as the outsourcing of services to migrant workers, often “sans papiers”, and from larger social re-stratifications reflecting the changing orders of social representation. These histories are the symptoms of transitional states, where larger, planetary readjustments create localized distortions and conditions of morbidity and entire sectors of skilled labor are at risk of displacement or disappearance.

Julian Rosefeldt’s 9-screen-film installation asylum (2001/02), presented in the main hall of the Centre of Contemporary Art “Znaki Czasu,” focuses on the unacknowledged practices of everyday work routines performed by migrant workers. In these tableaux groups of men and women are cast as players in scenes in which they perform in a Sisyphean manner cycles of menial work that are never to be fulfilled.
Allan Sekula’s Fish Story— Middle Passage (1994) has been characterized as a hybrid, “paraiterary” revision of social documentary photography. Working with industrial subjects over a long period of time Sekula has tried to dissolve the boundaries between essay writing, a “poetics” of sequenced descriptive photographs, and the practices of research in cultural, economic, and social history.
The Cuban duo Los Carpinteros have reappropriated and parodied the image of the preindustrial artisan and his idealized relationship with materials (wood, drawings), nature, and society to develop an artistic practice that draws largely on investigations and readings of objects of everyday life.

In After the Order (2006), Anetta Mona Chisa & Lucia Tkácová tackle the issues of hierarchical distinctions among individuals and groups within societies or cultures. The artists transpose the concept of a class society onto Slovakia by creating a living sculpture classified by criteria such as occupation, education, income, power, and social prestige.
In his drawings and sculptures Andreas Siekmann investigates current structures of power within the paradigmatic shifts of neoliberal economies and conceptualizes alternative social models. In 2002 he installed on the Place Royal in Brussels a merry-go-round that revolved around the equestrian statue of Godfrey of Bouillon, the medieval leader of the First Crusade. Under the title The Exclusive, it was reinterpreted in 2007 at documenta 12 in Kassel, where it circled the statue of Frederick II, the duke of Hesse.

The exhibition is complemented by a daily film program True [Hi]stories of Work, consisting of works drawn from the holdings of Thyssen-Bornemisza Art Contemporary and a vast range of international fiction, documentary, animation, and artistic films and videos from the beginning of cinema history (1895) until today with a curatorial focus on Polish film.

1 LEAVING THE FACTORY
Louis Lumière
Sortie d’usine (N°-1), 1895

Harun Farocki
Arbeiter verlassen die Fabrik (Workers Leaving the Factory), 1995

Chris Marker and Mario Marret
à bientôt j’espère..., 1967

Krzysztof Kieslowski
Fabryka, 1970

Siegfried A. Fruhauf
La Sortie, 1998

2 A HARD DAY’S WORK - THE DAILY ROUTINE
Charlie Chaplin
Work, 1915

Hans Richter
Everyday, 1929

Kazimierz Karabasz
Muzykanci (The Musicians), 1960

Krzysztof Kieslowski
Urzad (The Office), 1966

Józef Robakowski
Z mojego okna / From my Window, 1978 - 2000

Edyta Wróblewska
PRL de Luxe, 2008

3 MICHAEL GLAWOGGER - WORKINGMAN’S DEATH
Michael Glawogger
Workingman’s Death, 2005
4 ANDRZEJ WAJDA - ZIEMIA OBIECANA (Promised Land)
Andrzej Wajda
Ziemia obiecana (Promised Land), 1974
5 COLLECTIVE MEMORY
Mike Figgis
The Battle of Orgreave, 2001
A television documentary by Mike Figgis of an artwork by Jeremy Deller (2001)

Jun Nguyen-Hatsushiba
Ho! Ho! Ho! Merry Christmas: Battle of Easel Point - Memorial Project Okinawa, 2003

William Kentridge
Monument, 1990
Mine, 1991

Natalia Brzozowska
Kopalnia (Coal Mine), 1947

Juliusz Machulski, Andrzej Jakimowski, Jerzy Domaradzki, Jan Jakub Kolski, Piotr Trzaskalki, Filip Bajon, Krzysztof Zanussi, Robert Glinski, Ryszard Bugajski, Jacek Bromski, Feliks Falk, Andrzej Wajda, Malgorzata Szumowska
Solidarnosc, Solidarnosc, 2005

6 TRAINING AND EDUCATIONAL EXPERIMENTS
Adriana Monti and "Continuing Education for Teachers of the 150 Hours"
Scuola senza fine, 1983

Želimir Žilnik
Soap in Danube Opera, 2006



7 NEWS OF THE PRESENT - IDEOLOGIES OF THE PAST
Józef Robakowski (dir. with Tadeusz Junak, Ryszard Meissner)
Rynek (The Market), 1970

Krzysztof Kieslowski
Z punktu widzenia nocnego portiera (Night Porter`s Point of View), 1977

Kuba Maciejko
Felgarz z Woli (The Lord of the Rims), 2008

Leslaw Dobrucki
Kilka mniejszych wygranych (The Booth of Fortune), 2008

Andrzej Chodakowski and Andrzej Zajaczkowski
Robotnicy ’80 (Workers ’80), 1980

Anetta Mona Chisa and Lucia Tkácová
Capital: Magical Recipes for Love, Happiness and Health, 2006





8 DIFFERENT REALITIES OF A WOMAN’S WORKING DAY
Nita Mocanu
EDEN, 2005

Mamadou Kotiki Cissé
Ra, la réparatrice (Ra, the Mechanic), 2007

Kristina Leko
Zagreb Milkmaids on Your Right Hand Side, 2002/03

Sylke Rene Meyer
Anna Walentynowicz, the world smallest crane operator or: Who founded Solidarnosc? (Anna Walentynowicz, die kleinste
Kranführerin der Welt oder: Wer gründete Solidarnosc?), 2003

Artur Zmijewski
Danuta, 2006

Artur Zmijewski
Halina, 2006

Artur Zmijewski
Dorota, 2006

9 POLAND AND THE REWRITING OF LABOR HISTORY
Andrzej Munk
Kierunek Nowa Huta! (Destination Nowa Huta!), 1951

Andrzej Wajda
Czlowiek z marmuru (Man of Marble), 1976

Andrzej Wajda
Czlowiek Z Zelaza (Man of Iron), 1981



10 MIGRATION AND GEOGRAPHIC MOBILITY
Adrian Paci
Centro di Permanenza temporanea, 2007
Turn on, 2004

Dirk Schreier
Jin-Riki-Sha, 2005

Matei Bejenaru
Maersk Dubai, 2007

Chen Chieh-jen
Factory, 2003

Marija Mojca Pungercar
Bratstvo in Enotnost (Brotherhood and Unity), 2006





11 COMMUNICATION NETWORKS AND GLOBALIZATION
Kazimierz Karabasz
Wezel (Railway Junction), 1961

Michael Blum
My Sneakers, 2001

Sean Snyder
Casio, Seiko, Sheraton, Toyota, Mars, 2004/05

André Hörmann
Calcutta Calling, 2006

Raqs Media Collective
A/S/L (Age/Sex/Location), 2003-2007




The Way things are …
Works from the Thyssen-Bornemisza Art Contemporary Collection

Curators:

Press Conference:
Opening:
Duration:
Daniela Zyman, Barbara Horvath, film program
(Thyssen-Bornemisza Art Contemporary)
Friday, 13th June 2008, 3 pm
Saturday, 14th June, 2008, 4 pm
14th June – 31st October, 2008
Centre of Contemporary Art Torun / www.csw.torun.pl

Exhibition catalogue: The Way Things Are... Jak sie rzeczy maja...

With texts by Stefan Mucha, Francesca von Habsburg, Daniela Zyman, Daniel Muzyczuk,
Saskia Sassen, Andrzej Stasiuk, Eugenio Valdés Figueroa, Joachim Jäger, Konstantin Akinsha, Brigitte Huck, Andreas Siekmann

Available at T-B A21 shop (www.tba21.org) or Buchandlung Walter König (www.buchhandlung-walther-koenig.de); bilingual English/Polish, ISBN 978-3-86560-485-9, Euro 22


Information

Press Office
Thyssen-Bornemisza Art Contemporary
Himmelpfortgasse 13, 2nd floor, 1010 Vienna
T +43 1 513 98 56 29 / F +43 1 513 98 56 22
press@tba21.org / www.tba21.org

Press Relations / Thyssen-Bornemisza Art Contemporary
Christina Werner
w.hoch.zwei. Kulturelles Projektmanagement
Breite Gasse 17/4, 1070 Vienna
T +43 1 524 96 46 22 / F +43 1 524 96 32
werner@kunstnet.at

Zum Abbestellen dieses Newsletters schreiben Sie bitte ein E-Mail an exhibitions@tba21.org

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